Explore the Fine Print Fair
2025 Participants
Chicago, IL
19th–21st-Century Prints and Drawings
https://www.armstrongfineart.com/
Armstrong-GAKUSUI Ide - White Heron in the Rain
Woodblock print (color woodcut), with embossing throughout the feathers, on Japan paper, circa 1950.
First edition, published by Watanabe. With the signature in the block and with the red seal. Sheet size: 15 ½ x 10 ¼ inches.
Armstrong-Michel Estebe - Salto - my cat - mon chat
Color mezzotint on wove paper, 2022. Edition of 60. Signed, titled, numbered “7/60” and dated in pencil. Plate: 13 ¼ x 11 3/8 inches.
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Center Street Studio
2025 Raffle Print Donor
Milton Village, MA
Contemporary editions
https://www.centerstreetstudio.com
Markus Linnenbrink - Juicy
4 plate color aquatint
23 x 12 inches (image)
30 x 23 inches (sheet)
edition 30
2002
Laurel Sparks - Book of Days #18
Watercolor monotype
17 x 14 inches (image)
26 x 22 inches (sheet)
2022
Markus Linnenbrink - THESECONDHEARTONFIRE #2
Monotype
60 x 60 inches
2023
Janine Wong - Recto/Verso #41
Simultaneous duotype
25 x 20 inches (each sheet)
2024
Jeff Perrott - Construction WC #1
Watercolor monotype
24 x19 inches
2024
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Conrad R. Graeber Fine Art
Riderwood, MD
American, European, and Japanese prints and drawings
http://www.conradgraeber.com
Thomas Hart Benton - The Music Lesson
Thomas Hart Benton, American (1889-1975), lithograph, 1943
John Steuart Curry - John Brown
John Steuart Curry, American (1897–1946), lithograph, 1939
Howard Cook - George Washington Bridge, with B
Howard Cook, American (1901-1980), lithograph, 1931. This lithograph was completed the year that the construction of the bridge was finished. "B", depicted in the lower right, is Cook's wife and fellow artist Barbara Latham
Martin Lewis - Chance Meeting
Martin Lewis, American (1881-1962), drypoint, 1940-41
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Dolan/Maxwell
Philadelphia, PA
Distinguished American and European, Modern
and Contemporary Prints and Drawings
http://www.dolanmaxwell.com
Dindga McCannon - Saxophonist
2022, linocut 20 x 12 1/2"
Emily Mason - Untitled
1987, monotype, 30 x 22"
Stanley William Hayter - Laocoon
1943, engraving, soft-ground etching, gauffrage, ed 50 12 1/4 x 21 3/4"
Steven Ford - Untitled (Z0207C)
unique linocut with chine colle, 44 x 30"
Dox Thrash - Yocam
1937, aquatint, 5 x 4 5/8"
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Georgina Kelman Works on Paper
New York, NY
Peter Vilhelm Ilstead - Two Young Girls at a Window
1924
Mezzotint printed in colors
James Tissot - Le Hamac
Le Hamac (W. 46), 1880
Etching and drypoint
Charles Picard le Doux - Jeune femme appuyé sur son coude
c. 1905
Etching and aquatint with watercolor
Georges Lepape - "Le Miroir Rouge"
1920
Pochoir
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Reginald Marsh, Chop Suey Dancers #1, 1929
Etching with hand coloring by Marsh. Signed in pencil. Sasowsky 78, IV/IV from the edition of 18.
Scraped, smoked, charcoaled, added drypoint and engraving. 8x6 inches. Provenance Lionel Reiss.
John Sloan - Kraushaar's
Etching 1927 4 x 5 inches plus wide margins on all sides.
Signed and annotated in pencil. Ernest Roth imp. Morse 229.
Reginald Marsh, Box at the Metropolitan, 1934
Etching and engraving. 10 x 8 inches.
Signed in pencil. Sasowsky 143 V/V.
Dorothy Dehner - Man
Dorothy Dehner, 1901-1994, Man, Etching in green, Signed, titled, numbered, 22/40 and dated 1958. 33 x 17.8 cm
Milton Avery - Young Girl Nude
Etching and drypoint
Signed, annotated, “artist's proof" and dated 1936, in pencil
Plate: 254 x 108 mm; 10 x 4 1⁄4 in. Sheet: 381 x 300 mm; 15 x 13 in
Dorothy Dehner - River Landscape
Engraving, Signed, dated 1958, titled, numbered 31/35, and annotated in pencil. 21.6 x 55.9 cm
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Procuniar Editions
(New this year)
New York, NY
Contemporary editions
Raven Fine Art Editions
(New this year)
Easton, PA
Contemporary editions
https://www.ravenfinearteditions.com
Michael Gibson, Crowned in Her Glory (2022), Serigraph, 30" x 22"
Alfred Conteh, Terrance (2020), Serigraph, 22" x 15"
David C. Driskell, Yoruba Couple (2007), Serigraph/ Mixed Media, 30" x 22"
Curlee Raven Holton, Hands Up, Nimbus (2020), Serigraph/Gold leaf, 20" x 24"
Danny Simmons, Deeper Desire I (2018), Serigraph, 22" x 26"
Nelson Stevens, Spirit Sister (2013), Serigraph, 22" x 22"
Bryan Collier, Your Roots Sprawl From a Sacred Place (2024), Serigraph/Collage, 16" x 40"
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Frank Romero - Chicano Iconography
1992
Signed bottom left
Mixografía® monoprint on handmade paper
29 x 29 in
73.7 x 73.7 cm
Consuelo Jimenez Underwood - Me, Myself, and I
2022
Signed lower right, numbered lower left
Silkscreen on Rives paper, ten runs, stitched with synthetic threads
Coronado Print Studio
22 x 30 in
55.9 x 76.2 cm
Edition of 34, 2 AP, 2 TP
César A. Martínez - Golden Bato
1990
Signed lower right, numbered lower left
3-color Lithograph
30 x 22 in
76.2 x 55.9 cm
Edition 36 of 100
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The Verne Collection
Cleveland, OH
Ukiyo-e and contemporary Japanese prints
https://www.vernegallery.com
Buttercups
By Daniel Kelly
Woodblock Print
Edition of 250
7.5” x 27.75″
1983
Metropolitan Museum of Art Collection
Fuyu No Bi (Winter Beauty)
By Shigeki Kuroda
Painting
17” x 23.5”
2022
Kyoto (D)
By Kiyoshi Saito
Woodblock Print
Edition of 100
15” x 20.75”
1966
Snow Is Coming No. 3
By Ryohei Tanaka
Etching
Edition of 100
10.75” x 18”
1985
Washing The Hair
By Shinsui Ito
Woodblock Print
Edition of 250
15.75” x 10.5”
1936
Luminous Moon
By Sarah Brayer
Aquatint, Chin-Colle, Indigo-Dyed Mulberry Paper, Phosphorescent Pigment
Edition of 26
24” x 33”
2023
Fuji Cranes
By Hideo Takeda
Painting
15.75” x 13”
2018
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Creighton Michael - Mask 224
Intaglio Monoprint. paper size 25 x 22”, plate size 16” sq.
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William P. Carl Fine Prints
Durham, NC
19th–20th-Century European and American Prints
https://www.williampcarlfineprints.com
Stow Wengenroth, “Brooklyn Bridge”
lithograph, 1950
William E. Smith, “Leaning Chimneys”
linoleum cut, 1939
Edouard Vuillard, “Children’s Games”
color lithograph, 1897
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Meghan Brady, Two Headed Trio, 2022
Four plate aquatint etching on white Rives BFK paper
Elizabeth Atterbury, Calendars, # 19, 2021
Chine collé using Canson Colorline in various colors and embossment with copper plates hand cut by the artist on white Somerset Satin
Walton Ford, Killy, 2019
Six plate aquatint etching with dry point, hard ground and spit bite on white Rives BFK paper
Barbara Takenaga, Rising (two blues), 2021
Three plate aquatint etching with soap ground and spite bite
Walton Ford, Granary, 2020
Six plate aquatint etching with dry point, hard ground and spit bite on white Rives BFK paper
Josephine Halvorson, Fire, 2019
Five plate aquatint etching with dry point, soft ground, spit bite and sugar lift on white Somerset Satin paper
Barbara Takenaga, Falling (blue concentrate), 2017
Five plate aquatint etching with soap ground and hand painting by the artist on white Somerset Satin paper
Elizabeth Atterbury, Calendars, #5, 2021
Chine collé using Canson Colorline in various colors and embossment
Elizabeth Atterbury, Calendars, #11, 2021
Chine collé using Canson Colorline in various colors and embossment
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